Constructed in the Jinglong era (707-710), namely the end of the Early Tang and the beginning of the High Tang, this cave was constructed as the family temple by the Yin Family at Dunhuang. Part of the paintings was renovated in the Later Tang and the Five Dyansties, and the statues were renovated in the Qing dynasty. The main chamber has a truncated pyramidal ceiling which features a medallion pattern in the center enclosed by the twisted vines and draperies that extend to the four slopes covered with the thousand Buddha motifs (partly damaged). There is a niche with a flat entrance in the west wall housing a seated Buddha renovated in the Qing dynasty, and painted images of four bodhisattvas and eight disciples. A bodhisattva is painted on each side of the niche. The south side of the adobe platform on the north side of the niche has an inscription with the portraits and titles of the Yin Family members, Yin Ciqiong and Yin Ciwang. Inside the central frame on the south wall

The construction of this middle sized hall cave with a truncated pyramidal ceiling was prior to the tenth year of Xiantong in the Late Tang (869) and it was renovated in the Five Dynasties.There is an ink inscription on the east wall above the entrance which reads: "Spondored by Monk Suoyi a Buddhist official from the Jinguangming Temple." There are altogether 10 sutra illustrations in the main chamber. The south and north sides out of the west niches repectively depict the illustrations of Samantabhadra and Manjusri. The upper part of the south wall is filled with the illustrations of the Lotus sutra the Amitayur-dhyana Sutra and the Maitreya sutra from west to east. The upper part of the north wall is filled with the Garland Sutra Sutra of the Medicine Buddha Sutra on the Questions of Devas and The north and south of the entrance in the east wall are respectively the illustration of Vimalakirti sutra and Panikarasuttau sutra. The spaces below the illustrations on the south north and east wall all are divided into three for four strips of screen paintings illustrating the stories in the corresponding sutras. The north and south walls of the corridor are painted with donor figures. The south and north side of the entrance wall in the front chamber respectively show the Virūdhaka (king of the south) and Vaisramana (King of the north).

The hall cave was sponsored by the couple of Cao Yuanzhong, military governor of the Gui-yi-jun regime as their family temple in the tenth century, part of the murals were renovated in the Song dynasty. It is located at the lower level on the middle section of the Southern Area at Mogao and it is one of the largest caves at Mogao, consisting of a front chamber, a corridor and a main chamber. There is a two-stepped central altar in the center of the hall. It is called the hall of Manjusri in Dunhuang documents. The main chamber has a truncated pyramidal ceiling, and the ceiling center features a large parasol motif, in the center of the parasol are five lotuses, a entwining dragon and parrots. On the four slopes are preaching scenes surrounded by the thousand Buddha motifs. The four arch recesses in the four corners of the ceiling respectively depict the four great heavenly kings, namely, Dhrtarastra in the southeast recess, Virudhaka (mostly damaged) in southwest, Virupaksa

medallion motifs, beneath which are the Sui dynasty paintings. There is a small niche dug out of the space above the entrance in the west wall, which contains paintings of bodhisattvas and flowers. Out of the niche is a temple image. There are two preaching scenes on the upper part of both the south and north sides of the entrance, and there are vague paintings of donor figures below the preaching scenes. On the north and south walls are part of the draperies and halos. There are donor figures of the Song dynasty beneath the top layer of the paintings.